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Crocker’s Candy Store Exhibit Features Art With A Kick
Robert Arneson (American, 1930–1992), Well, Fancy Seeing You Here at the Candy Store Gallery, 1973. Glazed and overglazed stoneware, 13 x 12 x 6 in. Collection of Jennifer Renison Fisher. Estate of Robert Arneson/Licensed by VAGA at Artists Rights Society (ARS), NY. Courtesy Of Crocker Art Museum

The Crocker Art Museum continues to host The Candy Store: Funk, Nut, and Other Art with a Kick. This is the largest exhibition on the Candy Store Gallery to date with more than 100 multimedia works.

The Candy Store will be on view at the Crocker through May 1, 2022. The Crocker is at 216 O St., Sacramento.

In 1962, Adeliza McHugh opened the Candy Store Gallery in a modest house in Folsom, California. McHugh started her business as a candy store, but when the health department shut that down, she converted the space into an art gallery. There were just two rooms for the ceramic sculptures, paintings, and other art she displayed, but these small spaces featured art by makers who would become nationally and even internationally significant.

For 30 years, the Candy Store Gallery delighted visitors and was a much-beloved destination for art shopping, as well as socializing and interacting with artists. McHugh cultivated a close-knit stable of artists that came to be known as “The Candy Store Bunch.”

Robert Arneson, Roy De Forest, David Gilhooly, Maija Peeples-Bright, and Peter VandenBerge were core members of this group.

The Candy Store was among the first galleries to display and sell the avant-garde artistic style that came to be known as “Funk,” along with a related but lesser-known corollary that some practitioners called “Nut.”

Scott A. Shields, Ph.D., Associate Director and Chief Curator of the Crocker Art Museum, explains, “Adeliza and her Candy Store bunch helped make the Sacramento region an art center of great importance. Their work was a counterpoint to the aesthetic production coming out of the eastern United States at the time.”

As the gallery’s popularity grew, McHugh exhibited the art of members of the Hairy Who—Gladys Nilsson, Jim Nutt, and Karl Wirsum—three Chicagoans whose work seemed both to relate to and complement that of the Californians.

Although beloved by many, the Candy Store aesthetic was not always widely appreciated.

Many more conservative critics and collectors were offended by the unrefined and frequently ribald art that the gallery featured, much of which was not intended to be easy to like, even by big-city standards. McHugh believed that good art should make people uncomfortable.

In her own words, “If I’m going to drink, I want wine; and if I’m going to look at art, it’s got to have a kick.”

“The Crocker is incredibly proud of our role in elevating and showcasing the art of California, and we feel it is particularly important that we champion the work of artists so central to our regional art history,” noted Lial A. Jones, Mort and Marcy Friedman Director and CEO. “Many of the Candy Store artists were also teachers at local institutions. They and their work helped shape the trajectory of a generation of artists from the Sacramento area.”

As such, this exhibition celebrates not just a gallery, a trailblazing gallerist, and an esteemed group of artists, but a community, one that shaped the course of art history in Northern California and beyond.

A catalogue, The Candy Store: Funk, Nut & Other Art with a Kick, is available for purchase in the Crocker Museum Store. The text is the first major scholarship on the gallery in more than a decade. The exhibition is curated by Scott A. Shields, Ph.D. The Candy Store presentation at the Crocker is held in conjunction with a related show at the University Library Gallery at Sacramento State.

The Crocker brings people together and connects them in unexpected ways with art, ideas, each other and the world around them. Founded as a public/private partnership in 1885, the Crocker features the world’s foremost display of California art and is renowned for its holdings of master drawings and international ceramics, as well as European, Asian, African, and Oceanic art. The Crocker serves as the primary regional resource for the study and appreciation of fine art and offers a diverse spectrum of exhibitions, events, and programs to deepen visitors’ understanding of art, including films, concerts, studio classes, lectures, and an array of activities for families and children. More information about exhibits and programs can be found at